Vocal Rider. We finish with a look towards the possible future of digital mixing and music production, as Vocal Rider is more groundbreaking than it first appears.
![Waves Vocal Rider Cracked Waves Vocal Rider Cracked](http://www.mdpi.com/sensors/sensors-13-04192/article_deploy/html/images/sensors-13-04192f13-1024.png)
Tick- Tock the Crocodile . If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute. Tick- Tock the Crocodile.
Inspiration. Ticking Crocodile from the novel of Peter & Wendy by J. M. Barrie. Full name.
Tickets for Concerts, Sports, Theatre and More Online at TicketsInventory.com. Waves All Plugins Bundle 2017 Final + Crack Direct Download Link is available at Softasm. From the industry's most popular equalizers, compressors.
Tick- Tock the Crocodile. Other names. Mr. Crocodile (referred to by Peter Pan)Tick- Tock Croc. Tick- Tock the Croc. Crocodile. Croc. Tick- Tocking Crocodile. Tick- Tock Crocodile. Al (Tale. Spin)Crocky (referred to by Rosetta)The Neverland Crocodile. Personality. Scheming, sly, aggressive, hungry, clever, playful, energetic, grumpy, easily bored.
Appearance. Gigantic, slender green saltwater crocodile amber eyes, both lime muzzle and underbelly, sharp teeth, olive circles under his eyes, a pair of olive spike sets on his back and one set on his tail. Allies. Peter Pan, Skully, Jake, Cubby, Izzy, Pip the Pirate Genie, Marina, Mama Hook, Brewster the Beast Trapper, the Octopus, Rosetta, Silvermist, Iridessa, Fawn, Vidia, Zarina. Likes. The taste of Captain Hook, codfish, Rosetta, sleeping, eating. Dislikes. Captain Hook escaping him, Mama Hook scolding him, Smee shooing him away. Tick- Tock the Crocodile (better known as just the Crocodile) is a supporting character in Disney's 1. Peter Pan. He was adopted by a fairy named Rosetta, an early ally of Peter Pan's pixie companion Tinker Bell, whom he mistook for his mother. Not long after being born, the young crocodile found himself aboard the ship of a young pirate captain named James, who would one day become the feared Captain Hook.
During his escapade aboard James' ship, the crocodile accidentally swallowed the alarm clock of one of the crew members, thus gaining his iconic nickname. The ship adventure would also lead to Tick- Tock's first encounter with Hook, believing the captain was a codfish, prompting him to snap and chase after him in the seas. One day, however, James' hand was cut off in battle by Peter Pan, and fed to Tick- Tock as a snack, thus fueling the croc's hunger even further. Fortunately for James, now known as Captain Hook after the loss of his hand, the ticking alarm clock in Tick- Tock's stomach gives a warning whenever the croc is near, allowing Hook to prepare himself for the danger moments away. Most of the Crocodile's animation was done by lead Disney animator Wolfgang Reitherman, who was best known for directing action scenes in Disney animated features.
Auto-Tune is said to be the biggest-selling plug-in of all time. How does the new version shape up against the competition? Waves Tune Real-Time. Waves Tune LT. For use During performance in the studio or live on stage, or for pitch-correcting pre-recorded tracks. Tick-Tock the Crocodile (better known as just the Crocodile) is a supporting character in. It’s been a tough year in the news. White supremacists are committing acts of domestic terrorism. North Korea is threatening nuclear war. Trump is president.
Tick- Tock found it so delicious he's following him everywhere for another taste. Tick- Tock suddenly shows up next to the ship.
Hook hears the clock ticking and his eyebrows and pointing mustache begin twitching in rhythm (with the music of . The crocodile's eyes begin popping up to the tune, sending Hook into a panic. The crocodile then emerges from the water onto a rock rubbing his belly and licking his lips, accompanied by a wide smile towards the captain. Hook then screams for Mr. Smee to save him, and Smee shoos off the crocodile. The crocodile then frowns and wiggles his tail to the ticking clock while sulking away. Smee kidnap the Indian princess Tiger Lily to take her to Skull Rock, the crocodile follows them in the rowboat tick- tocking right behind them (with the music of .
In Skull Rock, Hook soon finds himself hanging from a cliff while fighting Peter Pan. Peter hears the ticking and smiles at Hook, saying, . Hook looks down at the water as he shakes with fear. The crocodile approaches with his eyes popping with up to the tune again, looking delighted to see a golden opportunity to eat the Captain. He jumps up and bites off Hook's coat, devouring it.
Peter asks the crocodile, . Crocodile, do you like codfish? The crocodile leaps again and manages to pull Hook right into his mouth, but Hook is able to escape the crocodile. The crocodile makes several attempts to swallow Hook, eventually chasing him back to the Jolly Roger. Later that night, Tick- Tock circles the water outside Hook's ship, licking his chops. The crocodile watches Peter and Hook have a sword fight while twiddling his finger in the water. He is splashing along in the water while Wendy and the boys sing .
He ends up chasing Captain Hook away from Never Land. Tick- Tock is considered either dead or alive and living somewhere else until he returns to Never Land in Jake and the Never Land Pirates. Eduardo tries to rescue Marsupilami while he's fishing for piranhas, but the ravenous piranhas prove too much for the jaguar. As he fights them off, he is quickly devoured by a crocodile.
As Eduardo pries the croc's jaws open (in a similar fashion to Hook's encounter with Tick- Tock at Skull Rock), Eduardo even yells, . He serves as the henchman and pet of Crazy Edie, a mechanic con- artist who sabotages airplanes in order to charge high prices with the help of her four cute, furry gremlins, who are forced against their will to assist her with high- tech collars around their necks to carry out their acts. The croc has a habit of eating the little creatures, much to the dismay of Edie, forcing her to catch more. Despite Edie's constant verbal and physical abuse towards Al through the episode, the crocodile remains loyal to her, even coming to Edie's aid once the pilots discover her true nature, but the croc is quickly thwarted by Baloo who uses a wrench to prevent Al from clamping his powerful jaws. The crocodile is last seen when Crazy Edie tries to make her escape, leaving the croc to his fate. Crazy Edie is later thwarted by Wildcat and captured by Baloo and the other pilots.
SHUSH sends Darkwing to find the missing Dr. Beatrice Brute, the famous anthropologist. Gosalyn wants to come along, forcing Darkwing to take her along on the adventure. After a comical mishap in the Thunderquack, Darkwing makes an early arrival on the island where he is almost devoured by the hungry crocodile. Gander Hooter wants Darkwing to investigate a case since agent Grizzlikof hasn't come up with anything. This starts a competition. During the second part of the competition, Darkwing had to retrieve a film reel from the bottom of a pool, unaware Grizzlikof released crocodiles to prevent Darkwing from completing the task.
Tuskernini takes Drake, Gosalyn and Launchpad hostage and demands the police to bring him Darkwing Duck, or he will . Drake slips out of his ropes and tells Gosalyn and Launchpad to cover for him. Drake has to cross various obstacles, including swimming through a swamp again and almost being devoured by hungry crocodiles, before he is able to get to the bank. He then changes into his Darkwing disguise. Despite losing to Pete in the bathtub race every year, Goofy has various tricks up his sleeve this time around.
In order to find out Goofy's plan, Pete puts PJ on his team, bestowing him a hat. Unknown to PJ, the hat is actually a video camera, allowing Pete to scrutinize Goofy's plan to avoid the various obstacles of the course.
One of the previous year's most hazardous obstacles were hungry crocodiles in the lake sent by Pete, who ordered them from Florida to assure his victory in the race. He was mentioned in the film's opening by Captain Hook that he somehow got rid of him, and his silhouette is seen in the clouds with the clock in his stomach, with a snippet of . Smee, Tick- Tock appears in the preschool series starring a young boy named Jake and his two pirate friends Izzy and Cubby. Tick- Tock returns to Never Land after his absence in Return to Never Land and is once again after Hook, (while the Octopus is totally forgotten).
The croc's vocalizations are done by Dee Bradley Baker. Jake offers to rescue Hook and Smee, but Hook refuses. Jake and his crew help, resulting in Hook and Smee still on top of the palm tree with the crocodile still trying to devour them. The crocodile finally manages to reach the top of the tree, sending Hook and Smee fleeing into the Never Sea swimming from the ravenous reptile, who waves good- bye to the frightened Hook and Smee as they swim back to the Jolly Roger. Jake and his crew, accompanied by Marina, set off to take back their treasure. They almost catch Hook, until he is scared away by the crocodile, resulting into Hook and Smee riding down the river at incredible speeds. Later in the episode, Hook frees himself from the vine, only to be chased away by the croc.
Smee to Captain Fisher treasure which was located at the bottom of Crocodile Creek, home of Tick- Tock. The croc prevents Hook and Smee from getting the treasure chest chasing the duo away from his lair. The croc reappears again at the end of the episode after being fished out of the Never Sea by Hook and begins pursuing Hook and Smee yet again aboard the Jolly Roger. The episode revolves around Jake, Izzy, Cubby, Hook and Smee trying to get it back. Unfortunately for Hook, in order to reach the valley, he and his crew would have to venture through Crocodile Creek where Tick- Tock is fast asleep.
Hook and his crew attempt to sneak past the sleeping croc, but Peter Pan, Jake, and his crew soon arrive. Peter couldn't pass up a chance to get both his shadow back and make Hook look the fool using his impersonation skills. Peter disguises his voice as Captain Hook to fool Mr. Smee, Sharky and Bones.
With Hook's men temporarily dealt with, Peter impersonates Mr. Smee to trick Hook.
Peter pulls Hook's hat over his eyes, causing the captain to stumble backward and accidentally step on the Crocodile's tail, waking the beast from his slumber who uses his tail to knock the captain off his feet and into his crew. Tick- Tock then pursues Hook and his men right out the creek into Tiki Forest. Later, Tick- Tock reappears in another attempt to devour Captain Hook and his crew after they are send plummeting from the Jolly Roger into the Never Sea by Peter Pan once he regains his shadow. Hook, Smee, Sharky and Bones are last seen on top a palm tree on a spit of land watching in horror as Tick- Tock and a large float of hungry crocodiles begin to swarm around the island. Smee, Sharky, and Bones discover that Captain Hook is not aboard the Jolly Roger.
Top 1. 4 Must- Have Waves Plugins. As regular readers will know, I’m a longtime fan of Waves plugins.
Founded in 1. 99. It’s entirely feasible that just a DAW and one of the many Waves plugin bundles could be all you’d ever really need for your productions – but with this wealth of choice it can also be difficult to know which individual plugins or bundles might best suit your purposes.
So in an effort to both provide some clarity for those newer to music production in general and Waves in particular, and also as an interesting frame for more experienced producers to consider their own collections and favourites, I posed myself the question, . These 1. 4 (I couldn’t keep it down to 1. I’ve naturally found myself coming back to time and time again, and the list includes some of the most distinctive classic hardware emulations and cutting edge audio processors you can find anywhere. By the way, click through on each entry in the list to get more info from the Waves site on which bundles they are included with.(Full disclosure: While the links from GTPS to the Waves site are affiliate- enabled, this article and the editorial selection of this list are entirely ours and independent from Waves.
GTPS is based on a firm policy of only recommending software and equipment we actually use ourselves every day, so you can be sure that when we talk about particular companies and products it’s because we genuinely love them!)The original Ultramaximizer, the L1, was really the first Waves plugin to become fairly ubiquitous throughout the studio world, and it’s still a much- loved favourite of many. The L2 iteration offers an even more streamlined control set and look- ahead brickwall limiting, making it the choice for squeezing every ounce of potential . Simple but smooth- sounding even when pushed hard.
Once I was put onto Meta. Flanger it instantly became my default flange/phase effect processor. I often use it in series with a whole stack of other favourite plugins, and whether you’re introducing some subtle rhythmic movement into a film sound design element or going all out with waves of wooshing phasing on a riser for a club track, Meta. Flanger always does it’s thing with a touch of class. The Waves Hybrid Collection (made up of the H- Delay, H- Comp and H- EQ) are each some of the most flexible and satisfying to use plugins in their respective categories, combining simple large knobs and dials with a diverse range of possible sounds, more or less .
I’ve highlighted H- Delay as the epitome of this combination of simple, intuitive controls which enable you to craft so many different quality sounds and effects very quickly – excellent for keeping the inspiration flowing without getting bogged down under the programming process. From general . Quite simply, API are responsible for several of the most highly regarded mixing console modules and EQ strips since their inception in 1. Abbey Road Studios should need little introduction, and this collection of plugins is modeled on the desks that were custom- designed and built especially for the studios by the in- house team: the Record Engineering Development Department. This plugin is Waves patented variation on an .
Used everywhere from film sound design and post- production to chart hits, it should obviously be used sparingly and with caution – and ideally only in a decent listening environment to really gauge the changes, as it would be easy to overdo the processing. Maxx. Bass is undeniably powerful though for helping to getting any mix, no matter how bass- heavy, to translate on any final playback system, from laptops to headphones and hand- held devices. I’ve mentioned this one a couple of times on GTPS, and it’s still very much part of my default mix project template. It can take a bit of getting used to in terms of how subtle you need to be with the initial setup, but once you find a sweet spot (or just start with one of the presets) and mix whole tracks through it, you begin to get a feel for how it very gently helps bind things together – always a must for imbuing DAW mixes with a little analogue magic dust. From some of the recent show- stoppers in the Waves arsenal to one of the unsung heroes: the Renaissance Collection. These plugins have been around for a long time, but they’re just so solid and workhorse- y that there’s no desire to ever remove them from my plugin folder, no matter what else comes along.
We’ve discussed the Renaissance Compressor previously, but the EQ is also a highlight for it’s similarly straightforward layout, intuitive real- time draggable graphing and the ease with which you can find the sound you want. The piece of gear that some believe inspired Richard D. James’s Aphex Twin moniker (apparently it’s not really true), the original Aural Exciter was a fairly rare device, and so exclusive that it was credited as a ! What it does is process the high- frequencies of the signal, introducing an extra dimension of brightness and presence, and all without altering the actual respective frequency levels. Try it on a vocal track or key instrument for that extra indefinable sheen. Another incredibly solid workhorse plugin that, while not particularly glamorous, is packed with features that you’ll always need. With it’s separate modules (Compressor/Expander, Gate/Expander and Fliter/EQ) and internal sidechain (if you’re a Pro Tools user the sidechain can also be externally triggered), you can basically conduct any dynamics processing task all from the single interface, including dynamic filtering and de- essing.
A collaboration with Hendrix producer Eddie Kramer, this plugin is an emulation of a vintage 1/4. Even since everyone moved to the computer for most recording and mixing duties, it’s still a popular idea in top studios to run tracks off to this kind of tape machine and back into the DAW, for the extra character and specific saturation qualities the tape can impart when driven quite hard. However, even if you’ve no intention of recording classic rock guitar tracks, the various Flux, Wow & Flutter and Noise controls, plus the Slap/Feedback delay section, can be fun to play with in conjunction with electronic elements for some cool effects and artifacts for resampling, spot FX etc. Like Meta. Flanger (they’re both included in the Sound Design Bundle), Mondo. Mod is a go- to for chorus and tremolo duties, particularly when the track calls for something a little different.
The types and combinations of weird modulation you can quickly conjure, and how the controls allow you to tailor the sound to fit the track, make it very useful in any processing chain that requires movement, from subtle shimmer to, “It’s all around us!”No round- up of Waves plugins would be complete without mentioning the Q1. Waves very first plugin originally released back in 1. It’s something like an automatic level fader, but if that sounds like a simple compressor, that’s not the whole story: the plugin doesn’t colour the signal the way a compressor might, as it’s not emulating any of the valve, FET or VCA technology that compressors utilize.
It really is just an automated fader, but with the benefit that you can go back over it’s work and edit the movements: so the best of all worlds, taking the time and at least some of the fiddliness out of manually riding the entire vocal track, but with the option to punch in and take over yourself at any point. It’s so simple in principle that it’s funny to think no- ones done it before now – but it’s a good example of Waves ability to offer genuine innovation and usefulness without recourse to gimmicky or unnecessary extra features. That wraps it up, but I’m sure I’ve missed someones favourite ever Waves plugin – did I get anywhere close to what your selection would be? Let me know below!
And if you like this post, you’ll probably also be interested in these: The 1. Best Reverb Plugins In The World. The 1. 0 Best Delay Plugins In The World. Of The Best Compressor Plugins In The World.